📷 Elevate your craft with precision and speed — the SonyAlpha 7 II means business.
The SonyAlpha 7 II is a professional-grade mirrorless camera featuring a groundbreaking 5-axis in-body image stabilization system, a 24.3MP full-frame CMOS sensor, and a hybrid autofocus system that’s 30% faster than its predecessor. Designed for serious photographers, it offers versatile shooting modes, a high-resolution electronic viewfinder, and robust connectivity options including NFC and HDMI. Its weather-resistant magnesium alloy body ensures durability, making it the ultimate tool for capturing sharp, vibrant images in any environment.
Metering Methods | Multi, Center-weighted, Spot |
Exposure Control | Aperture Priority, Auto, Manual, Program, Shutter Priority |
White Balance Settings | Auto, Incandescent, Daylight, Color Temperature, Underwater, Fluorescent, Custom, Cloudy, Flash torch, Shade |
Self Timer | 2 seconds, 10 seconds |
Crop Mode | Full-Frame |
Connectivity Technology | USB, HDMI, NFC |
Wireless Technology | NFC, BuiltIn |
Video Output | Micro-HDMI |
Total USB 2.0 Ports | 1 |
Total USB Ports | 1 |
Total Video Out Ports | 2 |
Shooting Modes | AUTO, programmed AE, aperture priority, shutter-speed priority, manual, movie, sweep panorama, scene selection |
Digital-Still | Yes |
Movie Mode | Yes |
Image Capture Type | Video |
Night vision | No |
Auto Focus Technology | Phase Detection, Center, Selective single-point, Face Detection, Multi-area, Single, Continuous, Live View, Contrast Detection |
Focus Features | Hybrid |
Autofocus Points | 117 |
Focus Type | Manual Focus |
Focus Mode | Direct Manual Focus (DMF), Continuous-Servo AF (AF-C), Manual Focus (MF), Single-Servo AF (AF-S) |
Autofocus | Yes |
Aspect Ratio | 16:9, 3:2 |
File Format | JPEG (DCF 2.0, EXIF 2.3), RAW (ARW 2.3) |
Effective Still Resolution | 24.3 |
JPEG Quality Level | Basic, Fine, Normal |
Supported Image Format | JPEG, RAW, Other |
Maximum Image Size | 6000 Pixels |
Bit Depth | 14 Bit |
Maximum Focal Length | 35 Millimeters |
Optical Zoom | 3 x |
Lens Type | interchangeable |
Zoom | Digital Zoom |
Camera Lens | FE 28-70mm F3.5-5.6 OSS |
Minimum Focal Length | 1.64 Feet |
Real Angle Of View | 43 Degrees |
Lens Correction Type | Peripheral Illumination, Chromatic Aberration |
Focal Length Description | 19.68 mm |
Digital Zoom | 4 |
Number of Diaphragm Blades | 9 |
Photo Filter Thread Size | 49 Millimeters |
Lens Construction | 7 Elements in 5 Groups |
Photo Filter Size | 49 Millimeters |
Screen Size | 3 Inches |
Display Type | LCD |
Dots Per Screen | 1230000 |
Display Fixture Type | Tilting |
Display Resolution Maximum | 1230000 |
Has Color Screen | Yes |
Flash Memory Type | SD/SDHC/SDXC, Memory Stick Duo/Pro Duo/Pro-HG Duo |
Memory Slots Available | 1 |
Memory Storage Capacity | 64 GB |
Recording Capacity | 30 minutes |
Write Speed | 12.5 MB/s |
Flash Memory Bus Interface Type | UHS-I |
Compatible Mountings | Sony FE |
Sensor Type | CMOS |
Image stabilization | Sensor-shift |
Maximum Aperture | 1.8 f |
Expanded ISO Minimum | 50 |
Photo Sensor Resolution | 24.3 MP |
Photo Sensor Size | Full Frame (35mm) |
Maximum Shutter Speed | 1/8000 seconds |
Minimum Shutter Speed | 30 seconds |
Form Factor | SLR-style mirrorless |
Special Feature | BIONZ X Image Processor; 5-Axis SteadyShot INSIDE Stabilization; Weather-Resistant Magnesium Alloy Body |
Color | Black |
Item Weight | 1.32 Pounds |
Video Resolution | FHD 1080p |
Viewfinder | Electronic |
Flash Modes | Auto, Fill Flash, Hi-Speed Sync, Off, Rear Sync, Red-Eye Reduction, Slow Sync, Wireless |
Camera Flash | Hot Shoe |
Skill Level | Professional |
Specific Uses For Product | Photography |
Compatible Devices | [Sony FE mount compatible devices] |
Continuous Shooting | 5 |
Aperture modes | F1.8-F22 |
Viewfinder Magnification | 0.71x |
Audio Input | Microphone |
Flash Sync Speed | 1/250 sec |
Video Capture Format | avchd;mpeg-4;xavc_s |
Expanded ISO Maximum | 25600 |
Battery Weight | 20 Grams |
Delay between shots | 0.2 seconds |
Audio Output Type | Headphone |
J**N
Amazing. Amazing. AMAZING.
This is a fantastic camera and I've been through plenty of cameras. This is the one I'll be keeping. A little history... My first DSLR (9ish years ago) was a Nikon D40. I quickly outgrew that and bought a D90. After I while I wanted more. I got myself a D700 and that was a fantastic camera. At some point I got sick of the weight of heavy cameras and lenses. I sold all of my Nikon gear and bought a Sony Nex7. I loved the light weight...but I was never happy with the image quality. Sooo...back to Nikon. Bought a D7100 and a bunch of lenses. I took a trip to Italy and midway through the trip decided that I needed to look at other options. Once again I was sick of carrying around all that weight. I planned to sell my Nikon stuff (again) and look back at the mirrorless options. I never got the chance because my camera bag was stolen on the way to Milan. Once I got home I started investigating my options. I tried an Olympus E-M1 but that didn't suit me. It's a nice camera but just wasn't up to the standard in image quality that I was used to. Next, I tried the Fuji X-T1. That is a beautiful machine. I would've been happy with it...If I hadn't also tried out the Sony a7. I was happier with the image quality from the Sony, but happier with the feel of the Fuji camera. In the end, image quality won and I kept the Sony. For my type of photography (landscapes, portraits) the Sony fit me very well. The autofocus was acceptable, but not great. But with my kind of work this isn't that big a deal. But I was never happy with the quality of the actual camera body. Just felt a little cheap. Then the a7ii was announced and I decided to trade up. While the camera is a bit heavier, the trade off of AMAZING handling makes it well worth it. The camera oozes quality and feels much nicer to hold than any other mirrorless camera I have tried. The in-body image stabilization is also great. I can handhold with the 55 1.8 at 1/4 second pretty consistently. I can get good images slower that that too, but they are more hit-or-miss. Still, the fact that I CAN get clear images at 1 second is insane. Autofocus is also noticeably better than on the a7. It's not in the same league as a Nikon DSLR like my old D7100, but for me that's not a big deal. If I were shooting sports then the Sony would be out...simple as that.For me, this is pretty much the perfect camera. I'm using it with the FE 55mm f1.8 and FE 16-35mm f4. I also have a Rokinon 85mm f1.4 (replaced my Nikon 85 1.4G that was stolen) and I just ordered a Canon FD 135mm f2.0 for portraits. That pretty much covers all my needs. Very very happy with this camera.Oh, I also got a Nissin i40 flash for Christmas and it is a great match with this camera when you need it. It's remarkably powerful for its size and doesn't look ridiculous on the a7ii.
L**N
The Loloho Review: Nothing Else Like It.
The media could not be loaded. Sony is first and foremost a technology company, and they are doing things with the A7 series that are currently unequaled. This camera is unique in the marketplace. As of this writing, there's literally nothing else like it from Sony's direct competitors Nikon, Canon, Panasonic, Olympus, Fuji, & Pentax. If you want a full frame mirrorless cam (and don't want to trade your car for a Leica), you're getting an A7. The only question is which A7.(NOTE: For more detailed photos and video, check out the A7ii review on my website [...]-- also do a search for "Loloho Photo YouTube" to find my VIDEO channel with lots of photo great reviews!)The original A7 was named "camera of the year" for cramming a 24MP full frame sensor into a compact mirrorless body. How does Sony top it with the A7ii? By improving ergonomics, focus speed, video capabilities, and delivering a groundbreaking IN BODY image stabilization system - the world's first 5-Axis stabilized full frame sensor. This illustrates a couple of admirable characteristics about Sony's imaging division - they listen to customers, and they relentlessly innovate. When Sony updates a camera (which they do often), they deliver significant design changes that translate to real world improvement - not just megapixel boosts.A note about lenses: the lens situation is improving. At the time of this writing, the best native prime lenses for the A7ii are the brilliant Zeiss 55 f1.8 and the Zeiss 35. I've heard the Zeiss 16-35 is outstanding but have not tried it yet. At Photokina Sony announced a number of new E-mount lenses that are expected to hit the market in 2015. I feel the sub-100mm range will soon be pretty well covered, especially once these new lenses hit the market. Of course with an inexpensive adapter, you can use just about any lens you please with an A7, and that's what makes these cameras so wonderful.I bought my A7ii here on Amazon and got it the first day of release. In this review, I'm going to assume you know the basics about the A7 series, and go straight to the pros and cons of the new camera. For more files and video about the camera, check out my site. [...]PROS*In Body Steadyshot - This is the marquee feature and for good reason. Now ALL of your lenses have image stabilization - including those 40-year old Nikkors and Leicas. It's amazing and it works. Of course the stabilization is more helpful with lenses towards the telephoto end of the spectrum. I've tried it with my 105mm and 300mm Nikkor primes with impressive results. With native E-mount lenses that deliver focus distance information, you get full 5-Axis stabilization. If there's no electronic communication with the camera to transmit focus distance (as with older legacy lenses) you get 3-Axis stabilization. Note that for legacy lenses, you'll want to manually specify the focal length to ensure the best results. And yes, Steadyshot works a treat for handheld video too. Shortly after the A7ii hit the market, Sony released a firmware update (version 1.1) that improved the in camera Steadyshot and squashed an annoying bug - if you get an A7ii, MAKE CERTAIN that you are running the latest firmware!*Shutter release - The shutter release has been moved forward on the camera body to a more natural location. It's now right where your finger expects it to be. Alas, it's flat across the top like most DSLRs, so there's no possibility of a cable or soft shutter release.*Better Grip - The new hand grip is thicker and easier for my hand to grasp. The new grip extends about 10mm further from the body. The new grip contributes to the apparent size increase in the A7ii.*Improved Autofocus - Sony is claiming 30% better autofocus performance. While many were hoping for AF as fast as the a6000, unfortunately it's not there yet. But Sony has improved the focusing algorithms to elicit noticeably better performance. I've had good success with facial recognition, eye focus, and object tracking. A7ii autofocus is good; I have no major complaints, but it's not as fast as a DSLR or the a6000 (a camera I also own and enjoy).*Build quality - More magnesium is now used in the camera body, and it's obvious. The camera feels solid and reassuring in the hands, like it's been carved out of metal. Even the buttons and control dials add to the premium feel of the camera.*Video - The A7ii has several notable video improvements. High quality 50 Mbps XAVC S codec is now included. Built in stabilization is a HUGE help with nonstabilized lenses. Now ALL your fast primes are stabilized for video! And the camera includes a S-LOG picture profile with enhanced dynamic range that's useful for color grading.*Wifi - This is not a new feature, but Sony has done a nice job integrating wifi into the camera. The wifi integration really showcase Sony's prowess as a tech company (Nikon and Canon have badly lagged behind in this department, IMHO). We are already taking this stuff for granted, but it's really kind of incredible to remotely control your camera from your tablet or phone -- with a live image view, no less. If you want to quickly share photos from your full frame camera to social media, it's been made easy for you, no clunky adapters required. Sony needs to do a better job highlighting these features, because they are great.*Alpha menus - Sony has now standardized the Alpha menu system across several different camera bodies. It's a clean, logical user interface that works well. With a little practice, it's remarkably easy to access the features you need quickly. The upshot? You spend less time "menu diving" and more time taking photos.*EVF - The A7ii electronic viewfinder is essentially the same as the A7, but it should be noted that it's great. The EVF is what allows Sony to squeeze down the body size of the A7 series. Once you get used to having focus assist and peaking (and the results of your shot) available inside the EVF, you will love it. What once seemed like a drawback of mirrorless cameras is now a huge advantage.*Metal lens mount - The A7ii lens mount is more robust than that of the first gen cameras. No wiggle! Lenses mount nice and tight to the body.*More customizable buttons - There are now four customizable "C" buttons to which you can assign your favorite functions, like eye autofocus, focus assist, white balance.*Articulating LCD screen - The articulating LCD screen merits a mention because so many DSLRs still do not include the feature. Once you've shot with an articulating screen, you don;t want to go without one. The LCD screen provides a decent range of motion for high and low angle shots.*Startup time - Startup time of the camera has been improved, which means fewer missed shots.*Matte finish - This is a matter of taste, but I like the matte finish of the A7ii.CONS*Weight - Weight has increased over the original A7 by 146 grams or 5.15 ounces to 599 grams. This is no small increase (a 26% gain over the A7, to be precise). When packing camera gear, every ounce matters. If it gets much heavier, we're losing a key advantage of mirrorless. Yet to be fair, at 599 grams the A7ii is still lighter than the Nikon Df (760g), Canon 6D (760g), Canon 5D Mark III (950g) and Nikon D800 (980g). Of course none of those competing cameras offer in body image stabilization, or many of the other features of the A7ii. So the A7ii remains lighter than the competition while offering a uniquely powerful functionality. If the added weight is a deal killer for you, there's always the original A7. Personally, I decided that the extra features are worth the cost in weight.*Girth- The A7ii body is not quite as svelte as the original A7. Thickness of the body itself has increased by a couple of mm. It seems more pronounced because the new grip extends a good 10mm further than the old. The A7ii is (dare I say it?) a bit chunky. The body has become more like a blend of mirrorless and DSLR. I suspect that the average non-photographer would glance at this camera and assume it is a small DSLR. Note that for some people this minus will actually be a plus. Why? Because the camera handles larger/heavier lenses with better ergonomics.*Small control wheels - This is a nitpick, but the fore and aft control wheels are small and almost flush with the body. A larger size would provide better tactile feel.*No 4k video - Not a major omission to me, but the lack of 4k is a disappointment. I think it would have been easy for Sony to include 4k, but the marketing department must have other plans. If you must have 4k, you want the A7S.*No silent shutter - The shutter noise is improved over the original A7, but it's not the dead silent shutter of the A7S.*Antialiasing filter - The A7ii has a low pass filter. I'd prefer they omit it.*Poor Apps Implementation - The original idea of offering apps is a good one, but unfortunately the PlayMemories apps have been poorly implemented by Sony. The PlayMemories store has a few worthwhile offerings, but as of this writing one of the best (time lapse) isn't compatible with the A7ii. Sony needs to open up the app store to allow outside development to make the most of this functionality. (Imagine how lame iTunes or Android would be if Apple/Google provided all the apps! That's what we're getting now from Sony.) Please, Sony - either do a better job with the PlayMemories app store, or just go ahead and include the app features in our cameras from day one.*Battery charger not included - Battery life is not a strength of these cameras (rated at 350 shots per charge) so you will want extra batteries. If you want an external battery charger, you've got to buy your own. I have several batteries and prefer to charge the extras while still having my camera free to use.*Questionable flash options - There's no onboard flash, and Sony's flash offerings are disappointing. No sync speed higher than 1/250. I don't often do flash photography, but there are times when it is necessary. Personally I would appreciate an onboard bounceable flash like that of the a6000 (the a6000 flash works great in this respect) or even a small fill flash like the X100 series.CONCLUSIONWhether you want an A7ii really boils down to two words : STEADYSHOT INSIDE. With the A7ii, it's all about image stabilization. The in body stabilization is actually a big deal. That's why you pay the premium for this camera over a first generation body. If you shoot with lenses that lack OSS (and that includes all legacy lenses) then it makes sense to get the A7ii. It's like getting a nice across-the-board upgrade to your lens collection. It's extremely cool to attach a 40-year old Nikkor 105mm and enjoy the benefits of stabilization. I have a host of Nikkors and some unstabilized E-mount (including the superb Zeiss FE55) that benefit.Of course the ergonomic improvements of the A7ii are welcome. I'm sure that many professionals will upgrade to the A7ii simply for the relocated shutter release button and improved grip.The 24MP sensor of the A7ii is basically the same as that used in the A7. If you want a high resolution mirrorless monster, you want the A7R.If you are heavily interested in VIDEO, your decision may come down to the A7ii versus the A7S. You might think of it this way: the A7S is a video camera that takes stills, while the A7ii is a stills camera that takes great video. While "steadyshot inside" certainly helps with handheld shooting of video on the A7ii, lowlight performance trails the A7S. If you must have the King of Lowlight Video, you still want the A7S.Because I shoot both video and stills I debated between the A7ii and the A7S. It was a difficult choice, but I ultimately decided that the superlative all around performance of the A7ii was best for me.I have owned (and in some cases still own) cameras from Nikon, Canon, Panasonic, Fuji, and Olympus. At the moment there's literally not an apples-for-apples competitor to this Sony camera. I buy the camera that is the best for my needs and am not loyal to one brand. Lately it seems that SONY is the company that's delivering innovation and excitement in this space. While Nikon and Canon have gingerly tested the waters of mirrorless camera design (no doubt to protect their existing DSLR product lines), Sony has been fearlessly pushing ahead with groundbreaking technology. Sony makes the sensors, and is hungry for market share; we photographers are reaping the benefits.Today, I find the A7ii the best general purpose full frame camera on the market. It's compact, solidly built but not too heavy, plays nice with a huge number of lenses, and is packed full of AMAZING technology. It just does everything (stills and video) very well. And by the way, the price is quite reasonable considering all it delivers. It's one of the most affordable full frame cameras you can buy. If you purchase one, I think you will enjoy it.
D**R
Works and looks great for renewed.
Updating initial review. The battery needed charged and all is working well and the camera is in good condition as described. Will need a new eye piece but that was stated in the description. Overall very happy. Said there was dust in the eye piece - but I don't see it great news.
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